Hitfilm pro tutorial music video
- Hitfilm pro tutorial music video how to#
- Hitfilm pro tutorial music video generator#
- Hitfilm pro tutorial music video portable#
- Hitfilm pro tutorial music video professional#
Being a music producer I've got several solutions in my tool kit to overcome challenges working with audio Sony Vegas (which I've learned interfaces with Hitfilm) being one of them. And remember, you don’t have to come out of the gate laying down perfectly edited clips to end up with something great.Thanks for the experienced feedback Andy001z. It will provoke you to work non-sequentially and to spread your best shots throughout the sequence. Try using slug and the “Replace Edit” function to lay down a rough cut and establish a visual rhythm. If you’ve used up all the good footage in the beginning, you won’t have any interesting shots left to use toward the end. If you are newer to video editing, you may notice that your projects often start strong and end weak.
Hitfilm pro tutorial music video how to#
In this tutorial I’ll show you how to use filler, or slug, as placeholder clips to establish a visual rhythm for a highlight reel or basic music video. Lonzell is a syndicated content writer with hundreds of published tutorials that relate to Apple’s Final Cut Studio product line. His work includes national commercials and television programs for PBS, Fox Sports, the Outdoor Channel, and C-SPAN, and video editing for pop superstar Mariah Carey. He is has also created Final Cut Express 4 Essential Training tutorials for.
Hitfilm pro tutorial music video portable#
He is the author of Final Cut Pro 6 for Digital Video Editors Only, the Canon VIXIA High Definition Camcorder Digital Field Guide, and iPhoto ’09 Teach Yourself Visually, and is the Instructional Designer for iMovie ’09 Portable Genius, all from Wiley Publishing, Inc.
Hitfilm pro tutorial music video professional#
Lonzell is an Apple Certified Final Cut Pro Professional and Certified Avid Xpress Pro user. Tools Used: Apple Final Cut Pro 6 Your Guide Click inside of a clip and drag left or right to reframe the action in the clip. The Slip tool lets you frame the action inside the clip it doesn’t affect the overall duration of the sequence. Step 8Ĭlick the Slip tool in the tool palette or press S on the keyboard. Use the waveform to line up edit points with the Roll tool and other trimming tools. Turning off snapping lets you move edit points in smaller increments, so you can be precise. Before you begin adjusting edit points, you need to turn off snapping by pressing N on the keyboard. With the Roll tool, you are simply making clips longer and shorter. The Roll tool is great for adjusting those not-so-perfect edit points, because it does not affect the overall duration of the sequence. The peaks in the waveform provide you a visual reference for where cuts should line up.Ĭlick on the Roll tool in the tool palette or press R on the keyboard. With the tracks enlarged you can clearly see the ebb and flow of the music. Click the Track Lock buttons to unlock the music tracks and enlarge the Time so you can see the waveforms clearly. Press the Command + Option and W at the same time to toggle on the audio waveforms in the Timeline. You can move to any point of the timeline and replace your slug along the way.
If you know you want to use a certain video clip during a particular high point in the music, you can go ahead and plug it in.
Perform a Replace Edit for the remaining edits. The video clip replaces the Slug Generator. Place the playhead directly in the middle of a clip and click the Replace Edit button or F11 on the keyboard.
Hitfilm pro tutorial music video generator#
If you’ve placed your music tracks in tracks A1 and A2, and the video clips you are using have audio associated with them, locking the tracks ensures that you don’t blast away any of the music when you lay down slug – random filler from FCP’s Slug Generator – and video clips with audio.ĭouble click a video clip in the Browser to load it into the Viewer, and then make an IN and OUT point in the clip that captures the action you want to edit to the project. At this point, you should be visualizing how the action in your video flows with the beat of the song.Ĭlick the track lock buttons to lock both music tracks. If you’re going to use the audio from your video clips, or lay in voiceover, edit the music to tracks A3 and A4.Įditing to the beat works best with music that you’re familiar with, so after you lay in the music, listen to the track a few times so you can become acquainted with the upbeats and downbeats of the song. In this example, I’m laying the music to tracks A1 and A2 because I won’t be using the audio in my video clips. Import your music for the project into Final Cut Pro, and then edit it to the Timeline. This tutorial is for those want to establish a visual rhythm for a highlight reel or basic music video.